{"id":9081,"date":"2019-05-31T11:37:02","date_gmt":"2019-05-31T11:37:02","guid":{"rendered":"https:\/\/cotalba.es\/?page_id=9081"},"modified":"2021-09-21T20:20:31","modified_gmt":"2021-09-21T20:20:31","slug":"frere-nicolas-borras","status":"publish","type":"page","link":"https:\/\/cotalba.es\/fr\/art\/frere-nicolas-borras\/","title":{"rendered":"Fr\u00e8re Nicolas Borr\u00e1s"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb bg_image=\u00a0\u00bb7683″ bg_position=\u00a0\u00bbcenter center\u00a0\u00bb bg_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb parallax_bg=\u00a0\u00bbtrue\u00a0\u00bb parallax_bg_speed=\u00a0\u00bbmedium\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb top_padding=\u00a0\u00bb200″ bottom_padding=\u00a0\u00bb200″ overlay_strength=\u00a0\u00bb0.3″ 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tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb30″ text_align=\u00a0\u00bbleft\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-5-percent\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]Le Monast\u00e8re de Saint J\u00e9r\u00f4me de Cotalba abrite entre ses murs un riche patrimoine artistique, dispers\u00e9 apr\u00e8s le d\u00e9samortissement. Ainsi, les \u0153uvres picturales ont \u00e9t\u00e9 transport\u00e9es au Mus\u00e9e des Beaux-Arts de Valence et d\u2019autres objets tels que le tabernacle ont \u00e9t\u00e9 confi\u00e9s \u00e0 la Coll\u00e9giale de Gandie, l\u2019orgue aux \u00e9coles pieuses de la m\u00eame localit\u00e9, la cloche est partie pour Xeresa et l\u2019ic\u00f4ne de la Vierge de la Sant\u00e9 a \u00e9t\u00e9 plac\u00e9e dans l\u2019\u00e9glise de R\u00f3tova.<\/p>\n

Les peintures du Monast\u00e8re : Fr\u00e8re Nicolas Borr\u00e1s (1530-1610)<\/strong><\/p>\n

Artiste qui a exerc\u00e9 son activit\u00e9 picturale au fil du XVIe si\u00e8cle et qui repr\u00e9sente l\u2019un des meilleurs exemples de la peinture monastique valencienne.<\/p>\n

N\u00e9 \u00e0 Cocentaina (Alicante), il a fait tr\u00e8s t\u00f4t preuve d\u2019un int\u00e9r\u00eat pour la peinture et une nette vocation eccl\u00e9siastique, conciliant les deux aspects pendant toute sa vie.<\/p>\n

Son s\u00e9jour \u00e0 Valence lui a permis de d\u00e9couvrir les nouveaux courants artistiques, ainsi que de c\u00f4toyer des artistes au prestige reconnu, parmi lesquels Juan de Juanes, dont il parlait comme \u00e9tant \u00ab\u00a0mon pr\u00e9cepteur et mon tr\u00e8s cher ma\u00eetre\u00a0\u00bb.<\/p>\n

Parmi les \u0153uvres qui lui ont \u00e9t\u00e9 command\u00e9es figure un nombre important de retables pour diff\u00e9rentes \u00e9glises et des couvents de Cocentaina, Orihuela, Alicante, Ibi, Onteniente et Aldaya, entre autres. Parmi les plus connus\u00a0se trouve\u00a0: le Retable des \u00c2mes, de la Cath\u00e9drale de San Nicolas de Bari \u00e0 Alicante et le Saint Nicolas de Bari de l\u2019\u00e9glise paroissiale de l\u2019Assomption de Sainte Marie \u00e0 Cocentaina.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]Cependant, peu de temps apr\u00e8s, il a \u00e9t\u00e9 appel\u00e9 par les moines hi\u00e9ronymites de Cotalba pour r\u00e9aliser le plus grand retable de leur \u00e9glise. Pendant cette t\u00e2che, il a s\u00e9journ\u00e9 au monast\u00e8re et est entr\u00e9 dans les ordres en 1575. Une fois moine hi\u00e9ronymite, il a achev\u00e9 le retable et a r\u00e9alis\u00e9 un grand nombre d\u2019\u0153uvres pour le monast\u00e8re, sans toutefois cesser de recevoir des commandes ext\u00e9rieures, qui assuraient des revenus au monast\u00e8re.<\/p>\n

Le retable majeur de Cotalba<\/strong><\/p>\n

Le retable \u00e9tait vaste et comptait quatorze tableaux. Au milieu \u00e9tait situ\u00e9e une sculpture, d\u2019une taille quelque peu sup\u00e9rieure au personnage, de Saint J\u00e9r\u00f4me. Aux portes du sanctuaire \u00e9taient peints, au recto Saint Pierre et Saint Paul, au verso Saint Vincent Ferrier et Saint Jean Baptiste. Dans la voie lat\u00e9rale, \u00e0 gauche de la figure centrale, se situait le tableau Couronnement d\u2019\u00e9pines qui r\u00e9pond \u00e0 la description que l\u2019\u00e9vangile fait de la sc\u00e8ne. Sur l\u2019autre voie se situait le tableau \u00ab\u00a0La Calle de la Amargura\u00a0\u00bb.<\/p>\n

Sur le corps sup\u00e9rieur, au centre, on peut voir la Crucifixion, \u00e0 droite, le partage de la tunique du Christ et, \u00e0 gauche, la descente de la croix. Au dernier \u00e9tage se trouvait le tableau de la r\u00e9surrection du Christ et au niveau du tympan du fronton sup\u00e9rieur, Christ et Dieu le P\u00e8re, \u00e0 la forme semi-circulaire, qui devait achever le retable.<\/p>\n

Sur la pr\u00e9delle apparaissent la C\u00e8ne dans sa partie centrale, \u00e0 droite se situerait Agonie dans le jardin des oliviers et, \u00e0 gauche, la Flagellation. \u00c0 cet ensemble appartiennent \u00e9galement d\u2019autres tableaux qui devaient se situer dans le soubassement, au format paysager et qui repr\u00e9sentaient les Evang\u00e9listes. (Hypoth\u00e8se de disposition de F. Benito).[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb class=\u00a0\u00bbtoggle-destok\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbpadding-10-percent\u00a0\u00bb column_padding_position=\u00a0\u00bbleft-right\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][\/vc_column][vc_column column_padding=\u00a0\u00bbpadding-10-percent\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][toggles style=\u00a0\u00bbminimal\u00a0\u00bb][toggle color=\u00a0\u00bbAccent-Color\u00a0\u00bb title=\u00a0\u00bbPlus de d\u00e9tails\u00a0\u00bb][vc_column_text]\u0152uvres r\u00e9alis\u00e9es pour Cotalba<\/strong><\/p>\n

Une fois le retable majeur achev\u00e9, il a r\u00e9alis\u00e9 d\u2019autres retables pour les chapelles de l\u2019\u00e9glise, parmi lesquels le Retable de Sainte Anne dont seul le tableau central a \u00e9t\u00e9 conserv\u00e9, qui repr\u00e9sente La Sainte Famille, consid\u00e9r\u00e9e comme l\u2019une des \u0153uvres de meilleure qualit\u00e9 de sa production.<\/p>\n

Il a \u00e9galement peint des \u0153uvres pour diff\u00e9rentes pi\u00e8ces du monast\u00e8re, parmi lesquelles le groupe de quatre grandes toiles pour Les Saisons du clo\u00eetre bas. Les th\u00e8mes repr\u00e9sent\u00e9s \u00e9taient L\u2019Annonciation, l\u2019Adoration des bergers, l\u2019Adoration des Mages et le Couronnement de la Vierge.<\/p>\n

Dans la salle Capitulaire se trouvait un retable dont seul le tableau central repr\u00e9sentant la Pentec\u00f4te \u00e9tait repr\u00e9sent\u00e9.<\/p>\n

La seule \u0153uvre conserv\u00e9e de nos jours \u00e0 son emplacement d\u2019origine est La C\u00e8ne, qui se trouve \u00e0 l\u2019endroit actuellement connu sous le nom de Moulin \u00e0 huile, pi\u00e8ce \u00e0 l\u2019origine r\u00e9serv\u00e9e au r\u00e9fectoire. Il s\u2019agit d\u2019une grisaille r\u00e9alis\u00e9e en d\u00e9trempe.[\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb class=\u00a0\u00bbtoggle-mobile\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbpadding-10-percent\u00a0\u00bb column_padding_position=\u00a0\u00bbleft-right\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][toggles style=\u00a0\u00bbminimal\u00a0\u00bb][toggle color=\u00a0\u00bbAccent-Color\u00a0\u00bb title=\u00a0\u00bbPlus de d\u00e9tails\u00a0\u00bb][vc_column_text]\u0152uvres r\u00e9alis\u00e9es pour Cotalba<\/strong><\/p>\n

Une fois le retable majeur achev\u00e9, il a r\u00e9alis\u00e9 d\u2019autres retables pour les chapelles de l\u2019\u00e9glise, parmi lesquels le Retable de Sainte Anne dont seul le tableau central a \u00e9t\u00e9 conserv\u00e9, qui repr\u00e9sente La Sainte Famille, consid\u00e9r\u00e9e comme l\u2019une des \u0153uvres de meilleure qualit\u00e9 de sa production.<\/p>\n

Il a \u00e9galement peint des \u0153uvres pour diff\u00e9rentes pi\u00e8ces du monast\u00e8re, parmi lesquelles le groupe de quatre grandes toiles pour Les Saisons du clo\u00eetre bas. Les th\u00e8mes repr\u00e9sent\u00e9s \u00e9taient L\u2019Annonciation, l\u2019Adoration des bergers, l\u2019Adoration des Mages et le Couronnement de la Vierge.<\/p>\n

Dans la salle Capitulaire se trouvait un retable dont seul le tableau central repr\u00e9sentant la Pentec\u00f4te \u00e9tait repr\u00e9sent\u00e9.<\/p>\n

La seule \u0153uvre conserv\u00e9e de nos jours \u00e0 son emplacement d\u2019origine est La C\u00e8ne, qui se trouve \u00e0 l\u2019endroit actuellement connu sous le nom de Moulin \u00e0 huile, pi\u00e8ce \u00e0 l\u2019origine r\u00e9serv\u00e9e au r\u00e9fectoire. Il s\u2019agit d\u2019une grisaille r\u00e9alis\u00e9e en d\u00e9trempe.[\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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Monasterio de Sant Jeroni de Cotalba<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cotalba.es\/fr\/art\/frere-nicolas-borras\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fr\u00e8re Nicolas Borr\u00e1s - Monasterio de Sant Jeroni de Cotalba\" \/>\n<meta property=\"og:description\" content=\"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb bg_image=\u00a0\u00bb7683″ bg_position=\u00a0\u00bbcenter center\u00a0\u00bb bg_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb parallax_bg=\u00a0\u00bbtrue\u00a0\u00bb parallax_bg_speed=\u00a0\u00bbmedium\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb top_padding=\u00a0\u00bb200″ bottom_padding=\u00a0\u00bb200″ overlay_strength=\u00a0\u00bb0.3″ shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbpadding-10-percent\u00a0\u00bb column_padding_position=\u00a0\u00bbleft-right\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_row_inner equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-5-percent\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color=\u00a0\u00bb#1d0e00″ background_color_opacity=\u00a0\u00bb0.6″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb width=\u00a0\u00bb2\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbFr\u00e8re Nicolas Borr\u00e1s\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|text_align:left|color:%23ffffff\u00a0\u00bb...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cotalba.es\/fr\/art\/frere-nicolas-borras\/\" \/>\n<meta property=\"og:site_name\" content=\"Monasterio de Sant Jeroni de Cotalba\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-21T20:20:31+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"12 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/cotalba.es\\\/fr\\\/art\\\/frere-nicolas-borras\\\/\",\"url\":\"https:\\\/\\\/cotalba.es\\\/fr\\\/art\\\/frere-nicolas-borras\\\/\",\"name\":\"Fr\u00e8re Nicolas Borr\u00e1s - 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